Soul
Sister No 1! Interview
with

words: Griff. 2007
It's hard
to pin down exactly when Jelly Jazz became aware of the frightening talent
that is Alice Russell. We'd maintained close links with Quantic in the earlier days of his solo career so when he made the switch and
put a band together... the sensational Quantic Soul Orchestra,
we were all over it like a rash. In the summer of 2003 the first single
from the second LP 'Pushin on' was released and it immediately
became a bona fide Jelly dancefloor classic.
But who was
the new voice powering out from the plastic? The remarkable thing is we
were dropping that track alongside the likes of 'Git Back' by Sugar
Pie Desanto, or 'You did it' by Anne Robinson. The track
wore the comparison well, and no-one could tell it was a brand new record.
Voices like that just don't come along every day! Then a cheeky Rebtuz booty 12" dropped a rough and ready Nostalgia 77 version of 'Seven Nation Army' by White Stripes, with Alice belting out
the vocals and suddenly it seemed everyone in the UK knew there was a
brand new diva on the block. Alice came and did a live PA in the club
around that time with Will Holland DJing for her. Sadly our staging was
so low and Alice's voice so good, that I'm sure half our crowd didn't
even realise they were hearing the vocals live.
Since then
Alice has produced two solo albums and collaborated with an impressive
and ever growing array of the UK's best producers. The first LP 'Under
the Munka Moon' was produced by a range of talent within the Tru
Thoughts stable and what immediately struck home was the style. It's
no easy feat to create an LP with different pr oducers as the results can
often fail to hang together. In this case though, Alice's voice anchored
all the tracks and knitted them into one gloriously sensuous, soulful
brew. The really exciting thing was that this was no attempt to emulate
any kind of soul music gone-by. It was somehow completely contemporary
whilst maintaining roots in gospel, blues, folk and jazz and R+B all at
the same time. Perhaps most importantly the songwriting was strong and
unique, and these were tunes you wanted to sing along to.
The
second album, 'My Favourite Letters' produced by TM Juke turned out to be even better than the first. By this time Alice was really
starting to get mainstream press attention, and attracting interest in
collaboration from the likes of 4Hero, Massive Attack and Groove Armada. The LP tour brought her and her band down to play
in the Southwest and what a treat we were given. It was her third live
event for Jelly Jazz so she's becoming a bit of a familiar face around
these parts. Up close and personal Alice is disarmingly down to earth
and delightfully barmy! (Anyone that lists Oompaloompas and the sight
and taste of boiled egg and soldiers' as influences on their myspace page
has got to be alright in my book.) She'd surrounded herself in a band of equally 'mad-as-a-brush' but supremely
talented musicians and was in the midst of a busy tour so it wasn't a
good time to talk back then. Anyway, interviews are like buses in that
they don't seem to come along for ages until someone has an album to promote
and then they all come at once... except that buses don't release albums
(quick... step away from the bus metaphor!) So we thought we'd catch up
with her now, between albums, to find out what makes her tick, about life
on the road, and find out what's cooking in her future.
1.
I think the first time you played for Jelly Jazz you came and did a live
PA with Will DJing didn't you?
Yeah
in that place near the harbour.
2.
And after that it was the legendary QSO at Eden gig. Didn't you have a
stinking cold for that or something?
Probably.
If you'e on the road for ages... in America it was really weird... all
the way through Australia, no sleep, loads of flying, didn't get ill at
all. I had a week off and got this really bad throat thing and flu and
had to go to America and do all those other gigs. So it's just sod's law
sometimes... that when you rest y ou get ill.
3.
We last saw you at Jelly Jazz playing at the Hub in Plymouth as part of
the My Favourite Letters tour. How did it all go?
Well
the gig was great but we had a crazy time at the B+B afterwards!
4.
Mmmm the Band seemed quite eccentric?
Yeah they're all hand picked for that! We're all like that anyway!
5.
So where did you get to on that tour?
Me and Al went over to America, just the two of us because we can't afford
to take the band yet... we're working on it. And Australia we put back to
this year, it was meant to be November but then we had to put it back. So
we've only just come back from that tour with the whole band and that was
great.
6.
How long were you in Australia for?
We did just under three weeks.
7.
I read in an article you did for an Australian website that you found
it tough being the only girl in a boyband for such a long period of time!
How did you cope with being out on tour with the lads for so long?
Ahhhhh! Well to be honest they are pretty feminine males. They've got
their Yin and Yang going.
8.
Can I quote that in the article? That your band are ladyboys?
(Laughs) No! They're all really good friends now and we all know each
other very well and we look out for each other. We're pretty cool we leave
each other alone when we we need to be, and it's not taken personally
if you are a bit moody. They're all pretty funny guys really and we don't
have fights or anything. We just get a bit tired sometimes!
9.
So how do you feel about the touring thing now? Are you still enjoying
it or are you a more homey person that is happier being on home turf?
I
still love it! At the moment I really need some time out, it's just been
so crazy. But at the same time when you're not doing it you yearn for
it and you really miss it. Especially when you get back and you've been
with those six people and you get back and it's kind of (sad voice) 'Where
is everybody?' In a way it's actually quite Zen and relaxing when everything's
so hectic you haven't got any time to think about anything. When you are
at home you have to think about the bills and other stuff. Australia was
so busy I could even think about dealing with that... we weren't sleeping
some nights and were travelling on really horrible early flights. So you
are where you are and in a way it's a quite Zen state of being!
10. You've
just got back from New York haven't you? What was that all about then?
Yeah we were in Australia and we got back for five days and then we went
to New York. And we just got back and went off last week doing things
up north, and then it's Jazz Café, France and Holland.
11. Was
that all with the band?
That was all live but we're also supposed to be recording another
album so I've never felt so crazy in all my life. I haven't had any down-time
for ages so I'm a bit 'Arrrrgh!' And we're going off again tomorrow so
I'm sorting my life out a bit!
12. So
all of these live gigs... is that still promoting the last LP?
That's doing old stuff and Munka stuff and because we've just written
the new album we're doing a few of the new tracks from that as well!
13. And
with all this touring where are you getting the best responses to your
music?
We're getting quite a lot of love in Australia and in France there is
quite a big friendship! London we get a nice lot of love! I'm just broaching
America so there's some lovely very concentrated love but it's not massive
as yet!
14.
So album number three... are you going to be working with TM Juke again?
Yeah
we've written the next album together. We get on quite well and do all
the live stuff together as well.
15.
And what about stylewise?How would you say the next one is likely to
be different?
We've gone a bit more live and a bit more funky
sounding. But we've been listening to a lot of David Axelrod as well though.
To me it's just like another step up the ladder of expression with me
and Al (TM Juke). It's a bit more bluesy, a bit more... it's still got
the really old school soul sound but with the newer twists. So a similar
kind of vibe to the others but I definitely feel like we've moved on.
16. How
would you describe your writing approach? Words first / tunes first? I
think for 'My Favourite Letters' you described it as a collective writing
approach. How does that work?
We
do it both ways. Sometimes someone sends me a loop like the Massive attack
thing, and I write a melody and lyrics on my own. And IÕve done that with
Will (Quantic) a couple of times. But then other times we sit in the studio
together and we bounce ideas off each other. And sometimes me and Al have
stripped it right back to chords and vocals which is quite niceÉbecause
quite often we do work now with beats and everything but weÕve stripped
it back for this next album and we have actually written some tracks from
scratch and then added the rest of the stuff to it later.
17. What
inspires you to write?
It can happen any which way! Sometimes the best songs, and this has only
happened a few times, they come out all together. I'll just sit at a piano
and the melody, the lyrics and the chords all come out at once but that
happens quite rarely! Other times you might have an idea or a theme and
you want to express that. But most of the time I get that from hearing
a riff or something and you think 'hold on that's quite cheeky' and it
gives you imagination for an idea or a place, or what those words are.
So that's how it happens too. Any which way.
18. I
believe you've said you work well late at night? Are you someone that
can be creative on demand or do things kind of pop into your head randomly
and you have to get them down whilst you feel them?
Again it happens both ways. Sometimes it'll be late at night and you'll
have to wake up to write something down on paper. In fact I went to sleep
the other night and there was a song in there but I was so sleepy that
I went to sleep and I've totally forgotten it now! So thereÕs that but
then sometimes me and Al do say, 'let's meet up and dosome stuff today'
and quite often we get a load done! So just putting yourself in that space
to be creative sometimes works.19. Ever
get a complete creative block?
Yeah but in that case we just leave it! I'm quite relaxed about that.
20.
Do you ever get involved in the production process with Al?
Sometimes I have done and I'm getting much more involved in that. He's
just recorded the drums with Jack and I let them get on with that. But when it comes to other layering of stuff though, especially with the last
album, we were very much both putting forward ideas about what we'd like
to have on the tracks and different instruments and stuff. So yeah I do
bit of that but then he likes to tweak it.
21.
Have you been tempted to get into that production side of it and start
building tracks from scratch or do you see yourself more as a specialist?
I have done but I'm quite organic and I get very frustrated when things
go wrong. If I'm flowing and I'm doing loads of vocals and stuff and things
go wrong... I get really annoyed. But I have... my landlord Roger... he's
got a really simple program. I can't remember what it is but I used it
for the Massive Attack one. I literally put their track in and then layered
up the vocals. I quite like to do that as well. It is a nice thing because
you are on your own and I should do it more but it's just finding time
really.
22.
So apart from your own solo releases you've been linked with various other
people for potential collaboration. Who else have you been working with?
I did a track with the Nextmen, and I'm about to do a little track
with Scruffer (Mr Scruff) next week. I'm going to go off and do a couple
of days in Manchester next week. But to be honest I've just been concentrating
on the album for the moment. But me and Will (Quantic) have been like
star crossed lovers trying to find each other because I haven't done anything
with him for ages.
23.
Well he's not made it easy for himself has he?
Well
Colombia... ya-know-wha-I-mean!! I'm going to go out there and see him
out there I think. I'd love to go out there anyway and I think if we've
got two weeks there may be a mini album's worth of stuff we could get
together. Which is long overdue... it'd be nice to do some stuff with
him again
24.
A while back there was talk of potential collaborations with Groove Armada
and Massive attack as well. Did anything come of those?
Groove Armada...
there were some emails and I got a phone call from their manager but then
he never called back... and then I didn't catch one of the calls or whatever.
Massive Attack did send me something and I've written a track for them
but to be honest they are sending stuff to so many singers I just don't
know if they are going to use it.
25. You've
got an exhaustive list of musical influences... is there anyone in particular
you'd really love to work with?
Oooh apart from Mr Questlove, Prince, Stevie Wonder. Yeah it's a good
point really. Questlove I'm in contact with and I'm trying to pin him
down. There's always a quite lot of crazy people you meet and think yeah...
but at the moment to be honest I'm quite happy with the little friendships
I've already got and just dealing with what I've got on the table. But
I'm always open to new people and different ways of working.
26.
Or any particular style of music you'd love to have a crack at? Country?
(Laughs)
Actually it's funny you should say that because a friend of mine is really
into all that country style and she's played me some music that I thought
was amazing. And obviously with Brother Where art Thou and Country Got
soul, there's definitely a lot of those elements. But I think they cross
over into certain tracks anyway with the blues and stuff! It's all so
similar even though people think it's so different... it's the same.
27. What
does everyday life consist of in Brighton when you're not touring or making
an album?
Well it's been getting less and less but I think we've got a bit of time
coming up in a couple of weeks. I think just seeing friends and catching
up with people because you just miss seeing everyone and just hanging
out. Getting food and going to the beach and going out and having little
drinkies in the Lanes. Quite often when I have a day off now it isn't
a day off... you've got so many emails you've got to catch up with and
stuff. I feel awful because a friend's just had a baby and I've hardly
been able to see her. I come in and I've got two days and then I've got
to go off again and in that two days I've got so much I've got to get
on with so you get a bit torn. You just have to be a bit more on it with
taking holidays and saying 'Right I'm definitely not doing gigs then'
so your diary just doesn't get full up all year.
28. Were
you ever considering any other careers before you realised that you were
going to be able to make it in music?
I studied art and music at Brighton but still didn't know what I wanted
to do and thought 'Yeah I like both those things' And then just started
recording with people. I did a bit of shop work and did stuff with people
with learning difficulties. I did quite a lot of relief work where you
don't need to take a contract, but can do it as and when. So that was
quite good to take time off to do gigs. But then it got to the point where
it was too much and I was missing stuff and wasn't earning enough money.
So then it was 'Right scrap all that and get on the old rock'n'roll and
try and sort out your musical career and of course live off the old credit
cards for a bit because you have to. But you just have to make that decision
and go for it I think.
29. So
what's in store in future for Alice Russell? Where do you want to be heading?
I just want to be doing a lot more recording and maybe doing another album
by the end of the year. I must admit I don't get people that say they
want to be famous or anything like that... I don't understand that sort
of mentality. But what I do want is enough security to be able to live
OK doing our music and to be recording it how we want. You know if we
wanted to do that orchestral thing... getting to the stage when you could
bring all those troops in. So I just want to keep doing what I'm doing
and get more expressive with it really.
30. That
would be fantastic because some of my favourite stuff on the first two
albums and something I associate with your sound is the string arrangements
so it'd be so nice to bring full string sections into it.
Yeah tell me about it. We'll get there... we'll get there.
Many thanks
to Alice for talking to Jelly Jazz. |